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I've had better luck with premiere renaming to .mpeg instead of .mpg. Not sure why, but seems to be the best with my Premiere Pro 2 and CS3 machines.. Patrick

You can go ahead and delete the preview of the audio clip and let premiere transcode the intermediate file again. See if it was just a botched import. Patrick

Depending on version. Just use the default quicktime preset and set the size you want. 180x160 @ 15fps is pretty slow I assume you edited it at this as well? Try setting it to 180x160 @ 30fps progressive since it's for a computer display. Patrick

I assume you mean your activation code. You can always backup your C: drive with your adobe install. But as far as the codes I believe they are put in the adobe common folder somewhere and if not there in Application Data or Local under the Docs and Settings ALL USERS folder. Patrick

I haven't experienced flicker in Premiere Pro 1.5/2.0 or CS3. You shouldn't being seeing any flicker in transitions assuming you have enough head and tail on the clips. Patrick

Does anyone have a FAQ or code for Pinging an IP address from a field, writing the results to a file and returning those results to a textbox on a form? Patrick

Doesn't hurt to try.. Just rename them to the new PPRO Plugin Extension.. My old HollywoodFX works perfect for PPRO even though it was for 6.0 Patrick

Which plugins are they and what versions are they? Off-hand I know Trapcodes work for AE and PPRO, Magic Bullet Editors, Boris, POV, MB Movie Looks just to name a few.. Patrick

I would export with the Microsoft .AVI or just AVI. Uncompressed in a sense but not really since DV is the compression scheme. NTSC is not a type of compression but a standard. Also, on your clips in Slow Motion try turning on Frame Blending and/or de-interlacing the clips. Right-Click the clip...

One more thing, try to set the opacity of the clip from the effects control window and not the pen tool along the keyframe line.. I remember hearing something in regards to that.. Patrick

Can you export to the Microsoft DV Codec and see what happens? I suppose you could delete all your renders and re-render and then export.. Patrick

I would recommend for ease of use Adobe Encore. Export your edits as AVi's and import them into Encore which uses Media Encoder to encode (I believe) for the DVD. It's a very simple program and allows menus, chapters and encoding for DVD. Automatic Encoding is set my default but you can choose...

If you editing a huge film.. Then your first step will be to dump Premiere and go with Avid as the film relationship with Avid is much stronger. I am a Premiere Pro user have have 4 Editing suites based on them. However, if I had large HD projects rather it be film or DV I go out to my Avid...

Just make sure nothing is plugged into the end of your firewire card..Sometimes a camera plugged in will do it.. Just do a DV project and then convert it out to WMV's later.. Patrick

If that didn't fix it.. Make sure your camera or VTR isn't connected via firewire.. Some systems when the camera is still connected and powered on will not let the audio play out from the timeline.. Don't ask, no idea why.. Just been like that for awhile..:) Patrick

red needs rendering.. Hrm.. I am thinking it's your capture settings in premiere since you can capture with scenalyzer.. Patrick

Your mp3 is on audio track 2 and your video audio is on Audio Track 1? Patrick

Hrm.. I suppose a splitter using a high resolution to span 3 monitors.. Depending on the puter.. Get a Matrox Parhelia card with triple head and output each head to a project.. Not sure if you can run 3 seperate videos, but you could run one video edited for a 3 project output by scaling each...

This may be stupid..But.. You are copying the video off the CD to your hard drive and then importing it into Premiere right? If your not and importing directly from the CD into Premiere, their is your choppy video problem. Patrick

which is what the dynamics filter is..lol! Patrick